Translating these fluid visions into linocuts creates a really cool tension. Printmaking is such a physical, zero-hesitation practice; it forces you to focus and be intentional. There’s no blending. I think that starkness is why it works. By locking a shifting realm into a high-contrast print, the dreamscape and blurry images inside my head solidify. Whether it's a piece about swimming with whales with my sister, or literally me giving birth to a planet, the process feels like a reclamation. Every carving requires cutting through the darkness to let the light through until they appear like myths or fairytales.